This is an archived blog for the Chicago Mammals. For the latest please visit www.chicagomammals.com
Friday, February 29, 2008
Thursday, February 28, 2008
Wednesday, February 27, 2008
Tuesday, February 26, 2008
Monday, February 25, 2008
Friday, February 22, 2008
What the Chicago Reader said about Clay Continent
Critic's Choice
Chicago Reader
CLAY CONTINENT, The Mammals Theatre Company, at The Space. The Mammals have been plying their extravagantly minimal trade for three years now, interpreting the classics in gory, surreal productions that range from smart straight-ahead camp to baffling high-art abstraction. Decidedly the latter (but terrific) was last year's Clay Continent, adapter-director Bob Fisher's delirious collaged-text take on Robert Louis Stevenson's The Strange Case of Dr. Jekyll and Mr. Hyde. This remount is polished and perfected, still challenging but more accessible. Though they've sacrificed some of the original's chaotic edge, the Mammals have thus achieved a cool intelligibility crucial to such language-intensive work: the blocking has been streamlined, and the sound design--previously a sometimes overwhelming echolalic tornado--has been cleaned up yet retains its throbbing menace. Actors Alex Honzen, Derek Smart, and Ron Kroll were excellent the first time around but bring more authority and focus here to the collective description of schizophrenia. And though the script's twists were unusually well fitted to the difficult, dungeonlike Space, they now seem inextricable from its tortuous, claustrophobic architecture (with credit due especially to Patrick McCarthy's evocative backdrop of scrawled diagrams and formulas). This Clay Continent may lack the raw fury of last year's edition, but its elegant, poetic dread is still more impressive--a chilling whisper to that production's scream.
- Brian Nemtusak
Chicago Reader
CLAY CONTINENT, The Mammals Theatre Company, at The Space. The Mammals have been plying their extravagantly minimal trade for three years now, interpreting the classics in gory, surreal productions that range from smart straight-ahead camp to baffling high-art abstraction. Decidedly the latter (but terrific) was last year's Clay Continent, adapter-director Bob Fisher's delirious collaged-text take on Robert Louis Stevenson's The Strange Case of Dr. Jekyll and Mr. Hyde. This remount is polished and perfected, still challenging but more accessible. Though they've sacrificed some of the original's chaotic edge, the Mammals have thus achieved a cool intelligibility crucial to such language-intensive work: the blocking has been streamlined, and the sound design--previously a sometimes overwhelming echolalic tornado--has been cleaned up yet retains its throbbing menace. Actors Alex Honzen, Derek Smart, and Ron Kroll were excellent the first time around but bring more authority and focus here to the collective description of schizophrenia. And though the script's twists were unusually well fitted to the difficult, dungeonlike Space, they now seem inextricable from its tortuous, claustrophobic architecture (with credit due especially to Patrick McCarthy's evocative backdrop of scrawled diagrams and formulas). This Clay Continent may lack the raw fury of last year's edition, but its elegant, poetic dread is still more impressive--a chilling whisper to that production's scream.
- Brian Nemtusak
Thursday, February 21, 2008
More Rehearsal
Tuesday, February 19, 2008
What the New City had to say about Clay Continent
New City
Feb 22, 2001
Blood and guts fans, here's your dish. This penny dreadful of a play, inspired by Robert Louis Stevenson's Jekyll and Hyde myth and directed by The Mammals' Bob Fisher. does an excellent job of creating mood. Three actors, all ghoulishly made up, stalk the awkward black basement that is the Space Theatre, headset mikes amping their every breath. The characters don't speak so much in dialogue as they do in poetry, often weaving their individual nightmares together to great fugue effect. The hour-long show devolves into Grand Guignol as the acts of violence grow ever fiercer; before it's over they'll leave nothing to the imagination. (Stay in your seat for a minute or two after the applause and you can watch them mop up.) in case cannibalism and torture aren't enough, they've thrown some homoerotic S-and-M tableaux in for good measuer as Hyde toys with his mirror image. Although there's no single prescribed season for such fare "Continent" nevertheless seems to have anticipated Halloween by many months
- Web Behrens
Feb 22, 2001
Blood and guts fans, here's your dish. This penny dreadful of a play, inspired by Robert Louis Stevenson's Jekyll and Hyde myth and directed by The Mammals' Bob Fisher. does an excellent job of creating mood. Three actors, all ghoulishly made up, stalk the awkward black basement that is the Space Theatre, headset mikes amping their every breath. The characters don't speak so much in dialogue as they do in poetry, often weaving their individual nightmares together to great fugue effect. The hour-long show devolves into Grand Guignol as the acts of violence grow ever fiercer; before it's over they'll leave nothing to the imagination. (Stay in your seat for a minute or two after the applause and you can watch them mop up.) in case cannibalism and torture aren't enough, they've thrown some homoerotic S-and-M tableaux in for good measuer as Hyde toys with his mirror image. Although there's no single prescribed season for such fare "Continent" nevertheless seems to have anticipated Halloween by many months
- Web Behrens
Labels:
clay continent,
highly recommended,
new city,
review
Monday, February 18, 2008
Script Excerpt from CLAY CONTINENT
Excerpt from Clay Continent
JEKYLL
It is said that Cleopatra was fond of sticking gold pins into the breasts of her slave girls and enjoyed their cries and writhings. You will say that this was relatively speaking, in a barbarian age; that our age is also barbarian, because pins are also being stuck in people; that even today, though man has learned to see more clearly on occasion than he did in barbarian ages, he is still far from having habituated himself to behave according to the dictates of reason and science.
HYDE
Of course, who can tell what people may think up out of boredom! After all, gold pins are also stuck into bodies out of boredom. What’s rotten, and this is again myself speaking is that, for all we know, people might even welcome the gold pins.
Tuesday, February 12, 2008
Get on the Mammals Mailing List!
If you aren't already on the Mammals mailing list, please send us an email to themammals@gmail.com
We will be able to send you our digital newsletter about upcoming shows and events, as well as let you in on deals for tickets to
Clay Continent in April and Mexican Wrestling Macbeth this Winter!
Also subscribe to this blog for all sorts of images, video, audio from our latest project!
Thanks for check out the blog!!! Stay tuned!!! Much more coming very soon!
All the best!
Bob Fisher
Artistic Director
Mammals Theater Company
We will be able to send you our digital newsletter about upcoming shows and events, as well as let you in on deals for tickets to
Clay Continent in April and Mexican Wrestling Macbeth this Winter!
Also subscribe to this blog for all sorts of images, video, audio from our latest project!
Thanks for check out the blog!!! Stay tuned!!! Much more coming very soon!
All the best!
Bob Fisher
Artistic Director
Mammals Theater Company
Monday, February 11, 2008
Sunday, February 10, 2008
Saturday, February 09, 2008
Friday, February 08, 2008
Thursday, February 07, 2008
Wednesday, February 06, 2008
Tuesday, February 05, 2008
Clay Continent Rehearsals Begin!
We had a great first read thru and a ton of fun. Here are some photos from the rehearsal
Dave Goss as Edward Hyde
Don Hall as Utterson
Jen Ellison as Dr. Henry Jekyll
Juan Castaneda
The cast examines pictures of Francis Bacon paintings
Dave Goss as Edward Hyde
Don Hall as Utterson
Jen Ellison as Dr. Henry Jekyll
Juan Castaneda
The cast examines pictures of Francis Bacon paintings
Labels:
Bob Fisher,
clay continent,
Dave Goss,
Don Hall,
Jen Ellison,
Juan Castaneda,
rehearsal
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